Posts Tagged ‘zeitgeist: moving forward’

Zeitgeist: Moving Forward

January 28, 2011 Leave a comment

This is the Official Online (Youtube) Release of “Zeitgeist: Moving Forward” by Peter Joseph. [30 subtitles ADDED!]

On Jan. 15th, 2011, “Zeitgeist: Moving Forward” was released theatrically to sold out crowds in 60 countries; 31 languages; 295 cities and 341 Venues. It has been noted as the largest non-profit independent film release in history.

This is a non-commercial work and is available online for free viewing and no restrictions apply to uploading/download/posting/linking – as long as no money is exchanged.

A Free DVD Torrent of the full 2 hr and 42 min film in 30 languages is also made available through the main website [below], with instructions on how one can download and burn the movie to DVD themselves. His other films are also freely available in this format.


Release Map:

$5 DVD:



Why aren’t there more black people in your movie?

January 21, 2011 2 comments

I want to make a comment about a certain angle of critique I have come in contact with and expand this rather trivial issue into a more important cultural point which many out there seem not to get – even in this day and age.

During the premiere of Zeitgeist: Moving Forward in LA on Jan 15th, a very kind women politely asked me why there “were not more woman in my film”. I responded to the effect that “well – I have to go where the data is.” She, of course, related and I feel her question wasn’t as much that she was offended by there not being “more women” in the film, but more to effect that others might feel some sort of bias by the fact. Fair enough, given the culture today.

So, I jump on a plane and go to New York City for the screenings there at Tribeca Cinemas. After the film ended on Jan 17th I was asked a similar question:

“What aren’t there more black people in your movie?”

At first, I thought he was joking. In fact, I spent a good couple of minutes making fun of the question…only to find he was, indeed, not joking. He really felt the need to understand why, in his view, there were not “more black people” in the film. So, of course, I explained that race is an arbitrary factor on all levels and that I simply do not recognize race anymore and the idea of “politically correct media” isn’t a notion I care about for it is a contrivance which perpetuates a false need to be superficially “equal”… as though I should say to myself: “Hmmm – the film is good – but I think I need more woman, black people, native americans, middle easterners, jews, amish and handicapped people etc.”

That stated, I want to point out something: Data is data and the people who present it are arbitrary.

I’ll state that again:

Data is data and the people who present it are arbitrary.

It doesn’t matter who Peter Joseph is – what race he is or what his background is – what comes out of his mouth is DATA and each person must compute that data based on the merit of the data itself- not the machine (person) relaying it. The messenger is and will always be irrelevant. Humans are merely vehicles for information relay. They learn – they repeat / adjust based on the novel-ness of their life experience/frame of reference/understanding. Those who are biased against data because they don’t “like” the prima facie identity of the person or entity communicating the data are engaging in what I call “INTELLECTUAL BIGOTRY”.

For example, Let’s assume I do a movie on renewable energy and the featured person in the work who is discussing various mediums of renewables happens to be a Nazi… or a Scientologist or a Christian … whatever. Does that mean the info they state is now suspect or biased? Is a film which has a Nazi in it suddenly a “Nazi film” regardless of the context?

Sadly, this is how many people comprehend in this culture. They don’t want to think so they seek to isolate the person’s assumed character (race/background/job/whatever) and attack that… rather than listen to what they say. And yes, I know, I’m Peter Joseph, the “arrogant” , “satanist”, “communist”, “new world order”, “asshole” “megalomaniac”, “cult leader”, “conspiracy theorist.”… but hey – guess what: even if all those labels were true: IT CHANGES NOTHING.

Data is data and if there is anything the public needs to snap out of, it’s the belligerent bias of the “projected identity” notion that blinds people to actually listening/considering new information.

Now, with respect to the need for more “woman or black people” in my film I want to make a critical point: It is nothing but a racist/sexist disposition to demand that the vehicles of data transfer in a film or whatever are of a certain origin; in a “politically correct” context. Again – Data is data.
I call this “reverse racism/reverse bigotry”

Frankly, it is nothing but biased and racist for there to be “puerto rican day parades” or “Italian American day” It is nothing but biased and racist for there to be “black awareness month” It is nothing but biased and sexist for the idea of the “feminist” to exist in the arrogance it often does today. Aren’t we interested in equality? If so- it means that you do not promote your “institution” of gender/race/ideology above others- it means you recognize the historical bias against you and work for it to be “neutralized” – not elevated in a vindictive/ego sense.

I remember reading about Martin Luther King Jr.’s apprehension to the idea of “Black Power”. He knew. He understood that to try to make your race/sex or the like “outstanding” is equality as biased as the oppressive forces that started the sad trend of inequality we see today.

Is there a dire need to generate more equality across race, gender and class lines? Yes. But that doesn’t mean your race/gender/class happens to be “special”. We are human. Period.

– Peter Joseph, Director, ‘Zeitgeist: Moving Forward’

Public statement from Peter Joseph regarding the Mainstream Media association created between “Zeitgeist” and the Tucson murders

January 14, 2011 Leave a comment

It has come to my attention that various mainstream news organizations are beginning to run an association between my 2007 performance piece/film, “Zeitgeist: The Movie” and the tragic murders conducted by an extremely troubled young man in Tucson, Arizona. They are also slowly beginning to bleed the obvious line between my 2007 documentary work, my film series as a whole and The Zeitgeist Movement, which I am the founder. Frankly, I find this isolating, growing association tremendously irresponsible on the part of ABC, NBC and their affiliates – further reflecting the disingenuous nature of the America Media Establishment today.

It appears to have begun with a comment on NBC news referencing my film along with other “influential” films as well, such as Richard Kelly’s film “Donnie Darko” and then spreading to ABC News where it singled out Zeitgeist: The Movie and the Series itself, stating: “Osler pointed to an online documentary series called “Zeitgeist” as a possible influence on the man.

The series rails on currency-based economics.

“I really think that this ‘Zeitgeist’ documentary had a profound impact on Jared’s mindset and how he viewed that world that he lives in,” Osler said.

When we reflect on the history of seeming random violence or other forms of highly offensive, irrational, aberrant behavior, we see a common pattern of reaction from the public and media in their attempt to explain such extreme acts. Rather than deeply examining the Bio-Psycho-Social nature of human social development and the vast spectrum of influences that create and morph each of us in unique and sometime detrimental ways, they take the easy way out. The first thing do it simply ignore all modern scientific social understandings of what generates human motivation in both positive and negative regard, for to do so can only call into question the social system itself and hence the “zeitgeist” (meaning: spirit/intellectual climate of the time/culture) at large.

Generally speaking, it is historically accurate to say that the Mainstream Media simply isn’t in the business of challenging the Status Quo. The limits of debate are firmly set. Virtually all ideas, persons or groups who have succeeded in changing the world for the better, later to be hailed as heros in the public mind, started out being condemn by those in the Mainstream Media who latch on to the dominant world view of the time. Even Martin Luther King Jr., a peaceful, loving, wonder of a man who contributed more to our social progress than likely any humanitarian in the US history, was followed by the CIA and publicly humiliated as a “Communist” which he even had to defend in front of a Congressional Committee. In fact, you can rest assured that if King was alive in the current paradigm today and seeking an equal form of justice- he would be given the name: “Terrorist”.

So, again, rather than taking the scientific view, the Mainstream Media often seeks out or implies one point of blame and runs with it. After all, it is much easier, presentable and more simplistic for the public to think that the troubling reality of seemingly random acts of mass murder is the result of a “singular influence” and hence the logic goes that if that one influence is removed, then the world will be back in balance. This gives the public a false resolve and position of focus in an otherwise ambiguous, complex world of social and biologic influences. And as far as the scapegoat itself, very often any group, media or dataset that is counter-culture or even hints at wishing to challenge the status quo, is a magnet for such blame.

For example, musical groups of a counter-culture nature have been a favorite scapegoat for acts of murder/violence historically. In 1990, the rock band Judas Priest was actually taken to court for their “role” in the self-inflicted gunshot wounds in 1985 of 20-year old James Vance and 18-year old Raymond Belknap in Reno, Nevada. In 2008, the band Slipknot was publicly tied/blamed to a high-school murder in South Africa. Even the Beatles song “Helter-skelter” was associated to the murders incited by Charles Manson. It goes on and on… and, frankly, it’s simply pathetic – avoiding the true nature of the problem- which is the Socio-Economic Environment itself.

Make no mistake: The Social System is to blame for the rampage of Jared Loughner – not some famous online documentary which is known as the most viewed documentary of all time in internet history. Are the other 200 million people who have seen the film also preparing for murder sprees? I think not.

In my new film: Zeitgeist: Moving Forward, I feature a prominent Harvard Criminal Psychologist by the name of Dr. James Gilligan who headed the Centre for the Study of Violence at Harvard Medical School for many years. In his life work of personally engaging with the most dangerous, violent offenders the US system produces, he found some basic trends. The most common is the social issue of “shame”. Our socio-economic system inherently breeds social division and there is a natural demeaning of others generated as a result. It is a scientific fact that mass murderers and those who many just dismiss as “evil” today, are the product of years of being shamed, humiliated and demeaned. Their acts of violence is a reaction from these highly oppressive feelings and the real resolve to such acts can only come from removing the real source of such emotional hurt. You will notice that most other countries don’t come close to the level of violence we see in the United States. The US is the capital of violence with 30-300 times more acts of violence than any other country. Why? We have produced more serial killers in America than all other countries combined. You will notice the Mainstream never asks this question.

If anyone would like to understand why more and more people in the modern world end up like Jared Loughner and why these patterns are only going to get worse as time goes in this system, I suggest the book “Violence” by Harvard Criminal Psychologist Dr. Gilligan.

In conclusion, let it be stated that the Zeitgeist Film Series is about critical thought regarding various social issues which challenge many erroneous notions held as fact in the modern culture. It also explicitly promotes non-violence, human unity and prosperous human development based on truth and science.

Anyone who wishes to really understand the works can view them for free online at and my new film, which will detail how a new, humane social system can work, will be 315 theaters in 60 countries and 30 language starting Jan 15th 2011.

-Peter Joseph